Digital Magma
From The Utopia of rave parties to the iPod generation

English version, preface by David Toop

Sternberg Press

The emergence of electronic music with its new generation of artists and digital technologies has disturbed the world music landscape. From the musicians’ angle, since the end of the eighties, techno, house, and their multiple subgenres, have brought in a new breath, sometimes sweeping aside the order established by rock and pop, and imposing new game rules: ephemeral and shared creations, widespread sampling, DJ rule, the practice of mix and remix, new and micro-economy. But that aesthetic revolution, which ended up contaminating most music during the nineties, is not only limited to artists. The democratization of the digital, of the means of diffusion, and of exchange and listening, transforms the relationship between the audience and music. Today the MP3 generation, beyond the simple question of piracy, invents new codes and practices which have shaken our way of “consuming” culture.